THERE IS A RIGHT CLOUD FOR EVERY SITUATION!

Gingko Audio Vibration Control Product Line - featuring Platformula technology.

So you’ve read all about Gingko Audio exciting vibration control products, from the original Cloud 10, to the entry-level Mini-Clouds, to the top-of-the-line Cloud 11, to the good-looking Platformula racks and stands. So which Cloud is right for you? This simple description will help guide your purchase decision to ensure that the Cloud you buy is the right one.

So which Cloud is right for you? Consider the Mini-Clouds for entry-level systems where, with $120, you will get better than a 20% improvement in sound quality, according to Srajan Ebaen of 6moons. If you can afford $300 under your mid-priced CD/SACD players or turntables, the Cloud 10 may be right for you. It is the only model that comes in clear acrylic. If you must have the best, the Cloud 11 at $379 will help to virtually eliminate vibration affecting your system. If you are really well-heeled and not only want the performance but also the fabulous good looks of the Platformula racks and stands,
go for them. In the end, use your ear (and your wallet) to decide what is right for you. Most Gingko Audio dealers offer money-back guarantee so it is a no-risk trial for you. Once you have experienced the Gingko Audio’s Platformula benefit, you will not do without it.

Each Gingko Audio vibration control product is designed with certain features to suit every application and budget. Here is a summary of the features:

The Mini-Clouds are sold in sets of three acrylic bases and three blue rubber balls that can be placed under the audio/video component bottom:

  • The Mini-Clouds can be placed anywhere under the bottom of the component to balance the load. In this sense, it even offers more flexibility than the Cloud 10 (with 15 dimple positions) and the Cloud 11 (with 10 dimple positions).
  • As it does not require a top platform, the system profile is lower than that of the Cloud 10 or Cloud 11. This is especially beneficial when vertical space is limited on the shelf.
  • As with the Cloud 10 or Cloud 11, the Mini-Cloud vibration control ball has an optimal load of 10 lbs and a capacity of 20 lbs. So a set of Mini-Clouds is perfect for components weighing 30-40 lbs. For heavier components, simply add more Mini-Clouds (Mini-Clouds are only available in sets of three).
  • Mini-Cloud bases are of double thickness with deeper wells and dimples (similar to the Cloud 11 bottom plate), thus providing a higher level of safety (the balls won’t roll off of the dimples unless you deliberately push really hard).
  • The Mini-Clouds remove 95% or the vibration from 5Hz to 500 Hz and has a resonant frequency of around 25 Hz.

The Cloud 10 is an all-around performer that offers excellent vibration control in a good-looking package:

  • It comes in both clear and black finish, with a regular size 18 x 14 top plate.
  • Its bottom plate has fifteen dimples, allowing flexibility in positioning the balls to balance the load. Four standard green balls are provided.
  • It also allows for use of other size rubber balls such as racquetballs so the user can experiment to find the optimal configuration that suits their taste. For example, we find that there are three different types of racquetballs: regular, tournament grade, and long-lasting titanium-embedded balls. The tournament grade balls are best suited for solid state systems in that they smooth out the mid-range while the titanium balls are best suited for tube systems as they tighten up
    the bass. In the end, the user decides which is best for his/her system.
  • As supplied, the Cloud 10 removes 98% or the vibration from 5Hz to 500 Hz and has a resonant frequency of around 17 Hz.

The Cloud 11 offers the best performance with some added features:

  • Its bottom plate is designed with deeper wells to provide an added level of safety in use. The ball stays in the well and rests squarely on the dimple thus preventing accidental rolling off of the bottom plate.
  • The top plate features a thicker skirt that makes the platform more rigid to withstand heavier components and minimize deformation.
  • The regular size of the top plate is 18 x 16 to accommodate components with larger footprints.
  • The extra thickness of the bottom plate and the top plate skirt improve vibration reduction performance to an average of 99% of the vibration from 5Hz to 500 Hz, with a resonant frequency of around 13 Hz.
  • The Cloud 11 comes with five balls to carry an optimal load of around 50 lbs.

Besides the above-mentioned features, the different products offer different levels of vibration control performance. In our vibration tests, the Mini-Clouds remove on average 95% of the vibration between 5 Hz and 500 Hz. This is compared to 98% for the Cloud 10, and 99% for the Cloud 11. The Mini-Clouds has the resonant frequency at 25 Hz, the Cloud 10 at 17 Hz, and the Cloud 11 at 13 Hz. The following charts illustrate the Mini-Cloud’s vibration control effectiveness (Figures 1A and 1B) and compares vibration control performance between the Mini-Clouds and the Cloud 10 (Figures 2A and 2B), and between the Mini-Clouds and the Cloud 11 (Figures 3A and 3B). Figures 4A and 4B compare the Cloud 10 and the Cloud 11.

We conducted these vibration tests using 2 Bruel & Kjaer 4371 accelerometers affixed to the two items in the test under the same load of 30 lbs, 2 Bruel & Kjaer conditioning amplifiers Type 2626, and an IBM ThinkPad PC with Spectrogram software developed by Richard Horne.

The vibrations on the 2 transducers are shown on split screens with each showing real-time vibration measurements as a function of time (X axis) and frequency (Y axis). The black line on the top of each chart shows the amplitude modulation trace indicating the summary of vibrational intensity across all frequencies and over time. The lower colored portions show the vibration present over time and by intensity of particular frequency. The horizontal axis represents time, the vertical axis displays the logarithmic spectrum analysis plot from 20 to 22,000Hz (the bottom is 20Hz, the top is 22KHz). Higher color temperatures indicate stronger vibrations. The colored representation progresses from red for worst to yellow, green, light blue, dark blue, then white for best. The colors and the corresponding vibration levels from -30db to -60dB are depicted here on the input screen of the Spectrogram software program used for the tests.

   
   

Each comparison is done with a frequency sweep from 20Hz to 22KHz on a logarithmic scale (Figure A) and an actual music signal from Copland's Fanfare for the Common Man [Reference Recordings, Minnesota Symphony under Eiji Oue (Figure B).

Figure 1A and 1B show the comparison between no isolation (left) and the Mini-Clouds (right)

Figure 2A and 2B shows the comparison between the Mini-Clouds (left) and the Cloud 10 (right)

Figure 3A and 3B shows the comparison between the Mini-Clouds (left) versus Cloud 11 (right)

Figure 4A and 4B shows the comparison between Cloud 10 (left) and Cloud 11 (right)


 

   
   

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